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©Karla Jurić</image:caption></image:image><image:image><image:loc>https://surlering.org/wp-content/uploads/2023/02/dsc06329-1.jpg</image:loc><image:title>DSC06329</image:title><image:caption>Tu es le premier des Braves, de Espi Tomičić, m.e.s Ivan Penović, 2022
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©Karla Jurić</image:caption></image:image><image:image><image:loc>https://surlering.org/wp-content/uploads/2023/02/barbie.jpg</image:loc><image:title>Barbie</image:title><image:caption>Barbie libérée, de Maša Kolanović, m.e.s Natalija Manojlović, 2022
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©Karla Jurić</image:caption></image:image><lastmod>2023-06-13T14:07:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://surlering.org/2023/03/02/bosnie-croatie-serbie-panorama-des-scenes-contemporaines/</loc><image:image><image:loc>https://surlering.org/wp-content/uploads/2023/02/mnslu2to4603xgsv2rwa.webp</image:loc><image:title>mnslu2to4603xgsv2rwa</image:title><image:caption>Le Drame de Mirjana et de ceux qui l'entourent, d'Ivor Martinić, m.e.s Anja Maksić Japundžić, Théâtre National de Zagreb (Croatie), 2010
©Rajko Pavlić – HNK</image:caption></image:image><image:image><image:loc>https://surlering.org/wp-content/uploads/2023/02/c79015a227b446e15f181d145a9ed4a7_l.jpg</image:loc><image:title>A force de gratter</image:title><image:caption>À force de gratter, ou comment j'ai tué ma grand-mère, Tanja Šlivar, m.e.s Selma Spahić, Théâtre National de Zenica (Bosnie-Herzégovine),coproduction Heartefact&amp;Bitef, 2012
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